Welcome to this cyberpunk animated short breakdown, where I walk you through my full creative and technical process, from concept to final render.
Some projects stand apart. Not only because of their subject matter — the fight against HIV — but because of the creative freedom they demand. The brief was unambiguous on one point: "we are looking for something very different from what is your typical Medical Art, and that is why we have chosen you."
Some projects start with a brief that changes everything. "We have a 3D printer. It's attached to a satellite. It prints rigid structures directly in orbit. We need people to understand what that means." That's exactly what Orbital Matter — a startup founded in 2022 in Warsaw — brought to me. And it's exactly the kind of challenge where 3D animation isn't a communication luxury. It's a technical necessity.
Creating a 3D visualization for an event the size of the Coupe de France is a real challenge. And that's exactly what makes it interesting. Thousands of spectators, specific scenographic…
A beautiful heart, not a gory one. Made of glass. Red. Floating. That was essentially the brief received from Alla Dreyvitser, Visual Presentation Director at the Washington Post, for an exceptional commission: the cover of the special Health & Science section, dedicated to heart disease.
A few years ago, Science & Vie Junior gave me an unusual brief: illustrate viruses that are... likeable. Or at least, useful ones. The kind of subject that makes you want to roll up your sleeves.
Commissioned by Women's Health UK to illustrate an article by Amy Lawrenson on the psychology of scent